Ayn Rand does have a rather..cough...interesting style as a writer. She manages, somehow, to be both flowery and coldly inaccessible at the same time. Hers is a form of romanticism that seems to have sprung from the industrial 20th century, and her writing, for me, is like trying to read the music of Wagner. It's big, bombastic, and on a scale that has little to do with lesser mortals. The emotional subtleties of actual human existence are nowhere to be found. Every moment is a grand and towering gesture, all brass and kettledrums, brimming over with Meaning with a capital M. And yet, in the thick of all that fervor, it seems strangely inhuman.
Her characters...at least, the ones she presents as moral exemplars...all have an aesthete's disregard for every human being who does not meet their standards of profit, power, and pursuit of self-interest. Again and again in the first 100 pages we hear from them that human beings generally...and Mexicans in particular...are worthless parasites living off of the creative genius of a few glorious demigods.
As I settle in with Ayn Rand's band of sternly romantic, self-absorbed, and emotionally distant protagonists, I find that they remind me of someone else, someone from another story I first read long ago. That someone is Jadis, Queen of Charn. As she puts it in the Magician's Nephew:
You must learn, child, that what would be wrong for you or for any of the common people is not wrong in a great Queen such as I. The weight of the world is on our shoulders. We must be freed from all rules. Ours is a high and lonely destiny.That the White Witch of Narnia would be a heroine in Atlas Shrugged is, I think, rather telling.